It is with no small measure of irony that I cop to devouring The Hunger Games today. I had been planning to do just a little bit more
with my summer and learned today that I will not be quite as busy as I had heretofore planned. Thus, summer reading camp. I've knocked
off quite a sequence a books in the few weeks past, trying to get my reading brain back in shape for school. (I think I am a funny and charismatic
instructor. I am dull shit as a student, but at least I am old enough to know that my brain weren't where it should be for upper-level coursework.)
Few books catch me enough to write about, or maybe I'm just lazy. Collins' The Hunger Games has been on my read list for quite some time. I'm not necessarily one of the carefree pushers of YA lit (avoiding an MLS partly to avoid that ghetto), but I genuinely continue to enjoy books written for and marketed to (Bill Hicks says "kill yourself") that audience. L'Engle's Wrinkle in Time series, several Ursula K. LeGuin and the excellent Roald Dahl novels populate my bookshelves with scars of honor and love down their spines. I don't know quite that THG will be joining them.
I may instead be reserving a corner of my darker bookshelf for THG. This is the section where lurk Philip K. Dick's androids dreaming(or not) of pneumatic, positronic sweaters on the foot, and where Atwood's seamy survivalists squat in squalor. This is at least what I was thinking as I entered the first chapter.
The first page (SPOILER ALERT!) reveals a disembodied speaker in the first person, which in a novel ostensibly about survival, could be telling. A saintly, cherubic little sister, a bashed-up cat who survived a drowning attempt in kittenhood at the hands of the as-yet-identified main character and a difficult maternal relationship.
This voice resolves itself into a grim, yet plucky heroine, a capitalistic Dickensean femme urchin who is the man of the family. At one point, Katniss is coaxed into particular behaviors in attempt to make the public, the revolted and compelled viewers of the book's namesake Games, like her. Look, after the first page, after the kitten thing, there's really not much I don't like about this character. She's a, ahem, fucking hardass. Collins has placed these Games in a brutal future Panem, which the reader assumes to be North America. Katniss is from the poorest of the poor districts, a literal coal miner's daughter (albeit a coal miner who was blown to smithereens in an industrial accident five years before) who lives by her survivalist and entreprenurial impulses. She has spent enough time in the forbidden forest, hunting, to have learned to become one of the animals. Katniss is both a symbol of a human and animal connection, but also of a teenage girl in the wilderness of school hallways - predators, schemes, arbitrary rules and no real self-control. As such, she's brilliant. Maybe I'm sheltered, and being reductive in believing that the gender of a protagonist has anything to do with anything, but I like the fact that Katniss is a sharp, hard girl who has a silly moment here and there. I heard a piece on NPR over the winter, and heard about another girl from coal country, quite a bit like Katniss. I don't remember this girl's name, but she is simultaneously head cheerleader and an avid deer hunter. Katniss is hardly head cheerleader, but once she is inserted into the pressure cooker of the media frenzy surrounding the Games, she navigates the system and responds with strength to many of the situations designed to manipulate her into making mistakes. She's honorable, offering herself for sacrifice in place of cherubic, goat-milking sister Prim, in a way that few female characters are allowed to be. I am put particularly in mind of L'Engle's Meg Murry, on a quest in A Wind in the Door to save her little brother, and in Wrinkle in Time her efforts to save both her father and brother.
L'Engle's Meg Murry, however, didn't dodge fireballs, and there were no impalings of pixie-ish 12 year olds in the Time quartet. That's where I find that the book takes a strange turn, combining gore, sci fi (tracking wasps that hold grudges and vile psychotropic fatal poison? Yeaaaaah.), amped-up Hollywood special effects (makes me certain I will never see this as a movie), post-climate change/political apocalypse and commentary on reality entertainment media. Strange, but I like it. Theme-wise, it reminds me of a couple of Stephen King's early novellas, sold as the Bachman books when I was a teenager, particulary "The Long Walk" and "The Running Man." His blurb on the back of the book, then, seemed to be in place. Thematically, I'm wondering how much anime or manga Collins has read. Gore is a bit of a theme in my entertainment media at the moment, and this one didn't skimp on it either, though it was typically more of the exploding green wasp pus gore, instead of being like literal, visceral gore - and I mean the kind that involves actual viscera. There is a sword wound (YES a SWORD wound - no guns, I don't think I read any, anyway) and more pus gore, and a protracted way fucked-up death scene at the end, but it's mostly in the narrator's mind instead of in her vision, which is kind of worse and a very sweet classic way of pushing the audience's buttons (it's the difference between old movies that are scary and never show the "monster" vs new special effects CGI candyshop things that are dull as shit because the viewer can see the Evil One's wide pores. The theme of setting the teenagers to kill each other isn't quite new (see also Battle Royale), but these teens also have a post-reality-television attitude towards the game of survival, and the adult public uses it as a politcal, sporting, gambling and clan-pride type event.
Ahm, because yes, I will be passing the book on - I'm not going to make space on my shelf for this one. I will burn through the entire series in no short order, and will hopefully be as grabbed by those as I was by this initial installment. That's actually part of the issue - the serious action wraps up at a certain point and there is a strange dragging ending to the book. I think part of this may replicate what Katniss experiences, the aftereffects of the stress of survival compounded with the much more subtle and sinister games being played after the gladitorial event. At a certain point, however, it becommes completely obvious that THG is the first installment. I think that there are several more elegant ways to deal with the segue into the next piece, but I didn't really need the heroine to be back at her District in order to begin the next installment. I don't know, though, and I guess reading it will tell me more. But there's more on why I'd not put it on my heart-pounding read shelf.
I am guilty of judging books by their covers and the blurbs thereupon. I've mentioned already King's blurb, and now I have to talk shit about Stephenie Meyer's blurb. (Uum, for someone who's not ever seen a rated R movie, this must not have been an easy read, or, as I suspect, Meyer has no imagination, so the twelve year old on the stake didn't present as a revolting picture in her mind. This must be how one writes a birth scene involving gnawing. But this does remind me, I do need to read Lord of the Flies this summer. Unbelieveable that a Lit major and book dork avoided that one. How?) Okay. There's purpose and there's audience, and I understand writing to appeal to one's audience. It's totally necessary and a central concern to a writer embarking on a writerly exercise. For example, I'm writing for an audience of about 5 (Hi there! Love you!) and myself, and it's on the internet, so I can say "fuck" and things like that. Meyer and Collins both write for the YA market, and muchly for girls, although I've noticed many young male readers engaged in both series, and almost tackled a guy teen at the library when he got the branch's copy of THG right before me the last time I had time enough to read it. I would have looked like a child abuser and book pervert. Weirdo. The fact that the book is marketed to teens, however, does not give the writers excuses to write like teens. Like sentence fragments. Just about everywhere.
I remember writing. Just like that. I can't do it anymore, at least not in prose, or at least I make an effort not to, but that's also partially because I am becoming more reflexively aware of my clauses. Not that they sometimes don't get the better of me. The sentence fragment thing alone gives rise to my objections to Meyer's works (or the selections there of that I've read) and the Collins novel. Why the fragments? Why the breathless lack of subjects or verbs, and why the attachment to prepositional phrases and dependent clauses flying solo?
This is why, when people give me the lame, well, at least the kids are reading bullshit, I call bullshit. If the kids are reading, let them read something with some grammatical style. I mean this trend does have a grammatical style, but it's a bullshitty grammatical style and the readers pick up on it. I know Atwood's not perfect, and she way influenced my short lines in poetry - I came to Atwood's fiction through her poetry (thanks again for long ago gifts, Nick), but she's got some pretty serious control over her clauses. This is a crucial skill that Meyer and Collins could work on. (Perhaps they've never read any R-rated poetry?)
Story-wise, it's a beast. I'm going to enjoy thinking over levels of potential symbolism that I read in the book -I especially like the idea about Katniss navigating the Games and games culture as a stand-in for a young woman's progression to adulthood in a culture of extreme pressure. Again, I'm going to read the sequels, and probably wish for different transitions/endings, but that's just armchair novel-writing. But the fragments. I will not forgive.
Tuesday, May 31, 2011
Wednesday, May 11, 2011
a leisurely tour
(From March of this year - it's taken me this long to type it...)
much of what I write is fiction, since much of what I write is plans and I pretty much never do what I write down that I should.
But here's a piece of documentary prose (oxymoron? paradox? redundancy?). Here is descriptive narrative - an observation of the state of affairs of the garden, to wit, the notations of a backporch farmer who doesn't know much yet. I've got some ideas, and I don't know how they'll pan out.
Geraniums flank the door, an oderiferous (the cashier at the nursery pronounced it "pungent") citronella geranium on the left. Intricate lacy leaves, no signs of bloom yet save a picture on the tag jammed into the front of the pot. The flowers pictured look more like plumerias than geraniums, but what the hell. The foliage smells nice.
In more robust, fat petaled typical geranium style, the Americana Violet '11 is colored like an acid trip. Vibrant migraine trigger pink, it's so bright that it's taken me a month to realize that part of the retina-searing brightness comes from the cymbal crash contrast of atomic orange at the center of each bloom. It cheerfully weathers whatever it is that's chomping away at the fat Buddha palm leaves. I should do something about that. (Post script: I never did. The chompers became so full of no-thing that they disappeared with all the drama of one hand clapping.)
Hanging over all is usually a variegated pink and red ivy geranium, raining scarlet petals over all, like cherry blossoms in Japanese art. These things go freaking everywhere and it's so blatant where they fall because they are so bright. The ivy geranium is on the ground now, due to weather predicted last night, and down also came the mostly experimental hanging strawberry. (Post script: May and I'm ready to compost the thing. Put it out of its misery - it's obviously a daylong strawberry not an everbearing and we can get something up there to either make food or attract pollinators. The other farmer does not agree with me and for the moment he is winning.)
Two mints, actively and promiscuously trading various nuances of flavor, behind the guilt Gerber from Gran (she beheaded the two I had on a plant that my cats have since treated as a salad bar) in a goofy green pot. It is entirely goofy, big floppy leaves and guileless bumpkin face flowers. The gerbers will really be impressed when the sunflower seeds get going in the protein garden.
The protein garden is yet to come, so I will here steer discussion away from lofty goals and return to the now-ness of what-is. What-is is stevia, a sweet leafed herb, potted on the right of the back door. I am thinking of stevia and chocolate mint (one of the promiscuous ones) herbal infusion tea. (Post script: I have harvested and dried some leaves from both the stevia and chocolate mint plants this week. I crushed some up with ice, turbinado sugar, my favorite bourbon and a few drops of water last night. Excellent.)
There's a small pot of rosemary, one sprig, and it refuses to grow, but it hasn't given up. I feel for that rosemary. Gran just kind of pulled it out of the crack in her sidewalk, late last summer and it lived in a glass of water on my counter for about a week because, I'm sorry I was busy okay? The rosemary persists. It abides. Whatever. (The other farmer insists that it's upside down. I once again will not say outright that he's correct, but it's entirely possible. Roots went in the dirt, I say.)
Garlic chives about as motivated as the rosemary. I've never had luck with chives or green onion from seed but I don't know. We got it as a plant and I am not the one who potted it. We'll see. (Post script: We're still wait-and-see with this one. Still.)
Oregano in another pot. Also a little plant, not doing much. (PS: Still.) An aloe plant, growing slowly, recovering from the loss of a spike before we got it. There is a rubber shark in the aloe pot, just so everyone is properly warned that it is a tough plant.
Ichiban eggplant (a gift for the other farmer) is in a taller pot and it is starting to bloom - light purple flowers, six petals, yellow pistils(? stamens?) something inside; it reminds me of a violet or a prairie flower, yet it nestles in with these bulbous fat leaves naturally. (PS: There are literally a million eggplants on the plant right now. I need to harvest some so the plant will keep producing, but they're all fat and egg-shaped, not long like the tag and the rest of the world and the internet indicate Ichiban eggplant should be.)
The last (at that time) pot is a strange case. It's old, crappy dirt, and I think I tried to use it for nasturtiums last summer/fall. No va, as they say, nada. But I think the other farmer put some kind of citrus seed - anything from a grapefruit to a lime - in the dirt. I ignored it; the pot sat out all winter while other things went into the garage (the rosemary is the only thing that made it out of the garage alive). So. There's a seedling with three layers of glossy green citrus looking leaves. (PS: Still growing, still no clue.)
(Post Script to entire previous: This piece neglects to mention the proliferation of tomatoes slowly taking over the place, the raised bed, my birthday lemon, and various other secrets. These may or may not be addressed in due time.)
much of what I write is fiction, since much of what I write is plans and I pretty much never do what I write down that I should.
But here's a piece of documentary prose (oxymoron? paradox? redundancy?). Here is descriptive narrative - an observation of the state of affairs of the garden, to wit, the notations of a backporch farmer who doesn't know much yet. I've got some ideas, and I don't know how they'll pan out.
Geraniums flank the door, an oderiferous (the cashier at the nursery pronounced it "pungent") citronella geranium on the left. Intricate lacy leaves, no signs of bloom yet save a picture on the tag jammed into the front of the pot. The flowers pictured look more like plumerias than geraniums, but what the hell. The foliage smells nice.
In more robust, fat petaled typical geranium style, the Americana Violet '11 is colored like an acid trip. Vibrant migraine trigger pink, it's so bright that it's taken me a month to realize that part of the retina-searing brightness comes from the cymbal crash contrast of atomic orange at the center of each bloom. It cheerfully weathers whatever it is that's chomping away at the fat Buddha palm leaves. I should do something about that. (Post script: I never did. The chompers became so full of no-thing that they disappeared with all the drama of one hand clapping.)
Hanging over all is usually a variegated pink and red ivy geranium, raining scarlet petals over all, like cherry blossoms in Japanese art. These things go freaking everywhere and it's so blatant where they fall because they are so bright. The ivy geranium is on the ground now, due to weather predicted last night, and down also came the mostly experimental hanging strawberry. (Post script: May and I'm ready to compost the thing. Put it out of its misery - it's obviously a daylong strawberry not an everbearing and we can get something up there to either make food or attract pollinators. The other farmer does not agree with me and for the moment he is winning.)
Two mints, actively and promiscuously trading various nuances of flavor, behind the guilt Gerber from Gran (she beheaded the two I had on a plant that my cats have since treated as a salad bar) in a goofy green pot. It is entirely goofy, big floppy leaves and guileless bumpkin face flowers. The gerbers will really be impressed when the sunflower seeds get going in the protein garden.
The protein garden is yet to come, so I will here steer discussion away from lofty goals and return to the now-ness of what-is. What-is is stevia, a sweet leafed herb, potted on the right of the back door. I am thinking of stevia and chocolate mint (one of the promiscuous ones) herbal infusion tea. (Post script: I have harvested and dried some leaves from both the stevia and chocolate mint plants this week. I crushed some up with ice, turbinado sugar, my favorite bourbon and a few drops of water last night. Excellent.)
There's a small pot of rosemary, one sprig, and it refuses to grow, but it hasn't given up. I feel for that rosemary. Gran just kind of pulled it out of the crack in her sidewalk, late last summer and it lived in a glass of water on my counter for about a week because, I'm sorry I was busy okay? The rosemary persists. It abides. Whatever. (The other farmer insists that it's upside down. I once again will not say outright that he's correct, but it's entirely possible. Roots went in the dirt, I say.)
Garlic chives about as motivated as the rosemary. I've never had luck with chives or green onion from seed but I don't know. We got it as a plant and I am not the one who potted it. We'll see. (Post script: We're still wait-and-see with this one. Still.)
Oregano in another pot. Also a little plant, not doing much. (PS: Still.) An aloe plant, growing slowly, recovering from the loss of a spike before we got it. There is a rubber shark in the aloe pot, just so everyone is properly warned that it is a tough plant.
Ichiban eggplant (a gift for the other farmer) is in a taller pot and it is starting to bloom - light purple flowers, six petals, yellow pistils(? stamens?) something inside; it reminds me of a violet or a prairie flower, yet it nestles in with these bulbous fat leaves naturally. (PS: There are literally a million eggplants on the plant right now. I need to harvest some so the plant will keep producing, but they're all fat and egg-shaped, not long like the tag and the rest of the world and the internet indicate Ichiban eggplant should be.)
The last (at that time) pot is a strange case. It's old, crappy dirt, and I think I tried to use it for nasturtiums last summer/fall. No va, as they say, nada. But I think the other farmer put some kind of citrus seed - anything from a grapefruit to a lime - in the dirt. I ignored it; the pot sat out all winter while other things went into the garage (the rosemary is the only thing that made it out of the garage alive). So. There's a seedling with three layers of glossy green citrus looking leaves. (PS: Still growing, still no clue.)
(Post Script to entire previous: This piece neglects to mention the proliferation of tomatoes slowly taking over the place, the raised bed, my birthday lemon, and various other secrets. These may or may not be addressed in due time.)
Monday, May 2, 2011
holding on
This last week of the semester is a temporal Ground Zero - it's all recovery, disaster relief and triage, just to get everyone to hold on until next week.
The plants are growing, I've got a sock and a half on the needles, as well as seventy-five percent of a baby blanket and the beginnings of a shawl for a charity auction (in nineteen days, there's another emergency response situation in the brewing). Spinning projects abound, the garden is getting much needier, and there is naught but a busy summer (grad school!) ahead of me.
The plants are growing, I've got a sock and a half on the needles, as well as seventy-five percent of a baby blanket and the beginnings of a shawl for a charity auction (in nineteen days, there's another emergency response situation in the brewing). Spinning projects abound, the garden is getting much needier, and there is naught but a busy summer (grad school!) ahead of me.
Tuesday, April 19, 2011
if i had one wish right now...
if I had all of the dragonballs, and summoned the eternal dragon, I, like Oolong, would wish for the world's most comfortable underpants.
Unless I wished for pretty much unlimited fiber stash, and the time to mess with it, but I think that's two wishes,
or three,
cumulatively.
Unless I wished for pretty much unlimited fiber stash, and the time to mess with it, but I think that's two wishes,
or three,
cumulatively.
Thursday, March 10, 2011
the ones who sit up into the night
and i noticed that it was a trend, that we were so successful and one of the things that we did well was to use everyone's energy in a logical and positive way. and since those two ideas might be too abstract, i will explain - we took advantage of the energy of most of the people, really, for the benefit of pretty much everyone, and the energy we took was enough for everyone to have some, and we usually had a spot for everyone.
for example, the old folks.
they led the charge of those who sit up into the night. in a dim place, with a low bulb and shadows, or a dimmed camp fire or cook fire, or some permutation thereof. hunched, sitting proudly, placidly, leaned back, cocked over tilting. dim eyed or glittering, eyes fixed at nothing or something quite in particular. hot beverages and at least rudimentary food stuff near at hand, at any hour really.
many of them had shuffled off sleep, and sat up into the night in lit places, sometimes all alone, but with a spot next to them for anyone to slide into: book into a shelf. and there was talking or not, but easy companionship for another of the owls who sits up at night.
for example, the old folks.
they led the charge of those who sit up into the night. in a dim place, with a low bulb and shadows, or a dimmed camp fire or cook fire, or some permutation thereof. hunched, sitting proudly, placidly, leaned back, cocked over tilting. dim eyed or glittering, eyes fixed at nothing or something quite in particular. hot beverages and at least rudimentary food stuff near at hand, at any hour really.
many of them had shuffled off sleep, and sat up into the night in lit places, sometimes all alone, but with a spot next to them for anyone to slide into: book into a shelf. and there was talking or not, but easy companionship for another of the owls who sits up at night.
Tuesday, March 1, 2011
what a diz do?
spinning is funny. but not like the octopus and the bagpipes funny, but more like a compulsion bordering on an obsession, and me with the tendency towards anxiety anyway, like a loose particle bouncing around just waiting to get bonded with something (like always).
it also has me doing google searches in pursuit of understanding the aforementioned tool's use and necessity. i've read tell of people making a diz out of a soup lid, so it seems to be some sort of plate? or template? with holes in it?
i plied, literally, a million miles of shetland from my chairback lazy kate system (i badly need to upgrade to a shoebox/knitting needle system) with an actual boat anchor. i swear that spindle weighs exactly 87 pounds. yes my arm is sore.
yes, i am also going to *another* fiber shop tomorrow. this brings me to something that i've always wanted to do - i've always wanted to list all of the fiber shops that i could remember being - disregarding chain/"craft" stores. i can already think of one that i absolutely can't remember the name of and i don't know if google will help me find the names of all of them.
1. Nancy's Knits - Braeswood, in Houston. She stayed open late so Julia and I could poke around; I bought my first Kureyon. It reminds me of a trip away from reality as profound as the Spice Shop in *The Mistress of Spices* (author - Chitra Banerjee Divakaruni - the film is poo compared to the movie, not to discount the efforts of those involved in the production thereof - I digress. CBD is a professor at U of H, Nancy's in Houston - see, it's all related!) It's in an older strip center, on the bayou. No sign. Dark towers of bagged-up yarn loom in the upper reaches of the dim commercial ceiling. If one backs into a wire shelf, it will move, and there will be a Newtonian moment with a skein (or bag) of yarn from above. It may well be exactly the right yarn for the moment, or it could be totally impractical.
I went to Nancy's at odd-regular intervals and she spotted me a dollar on some yarn (probably Kureyon) when I came in after kung fu one day (still in uniform and a bit sweaty - many pearl clutching types would be horrified, Nancy just said hi). I didn't pay her back for a year, but I sure did pay her back.
2. before Nancy's, there was a shop right on the edge of Lewisville and Corinth, on my way home from work. There was construction in the area, and it wasn't easy to get to. I bought two yarns there, but I can only remember one of them - a lime green tweed, real wool with a dull finish. It was rougher than anything else I'd ever felt - being accustomed to the insipid slipperiness of certain big name craft store synthetic yarns of the soft or "so smooth" variety as I was, I fell kind of in love. I got something else too, but can not for the life of me remember what. It was hand dyed...
3. Eventually Julia took me to Yarns 2 Ewe. I have had pleasant moments there, bought plenty of pretty yarns there. The lace shelf next to the ball winding area always lures me in for closer conversation. I've only used one yarn that I've gotten off the lace shelves.
4. Then I moved to southern California. I spent most of my time in Carlsbad and Encinitas, the latter of which hosts two good yarn shops (one I adore with all my heart and wish I'd been a knitter when I lived there, but got amazing mileage from - snicker - literally) and the best bead/crystal shop EVER. EVER. Okay, so first, was Black Sheep. I think I would really like that shop now, but at the time, I was a little meh. There were lots of fancies type yarn, and I had fun with a couple of silly things that I got there, but I don't really remember what they were. Unsettling yarn displays involving wicker baskets (agh, the snagging!) But a hearty display of Manos worsted kept me in thrall. There were many yarns here that I considered buying. Nice ladies.
--Here I must end my post. I am ever so tantalizingly close to finding out what it is that the diz does, after which I will be off to see the Wonderful Wizard of Oz, because of the wonderful things he does. Oh my. But I'll pick up with Common Threads tomorrow. Because actually, Common Threads came first, and always will, in my heart.
it also has me doing google searches in pursuit of understanding the aforementioned tool's use and necessity. i've read tell of people making a diz out of a soup lid, so it seems to be some sort of plate? or template? with holes in it?
i plied, literally, a million miles of shetland from my chairback lazy kate system (i badly need to upgrade to a shoebox/knitting needle system) with an actual boat anchor. i swear that spindle weighs exactly 87 pounds. yes my arm is sore.
yes, i am also going to *another* fiber shop tomorrow. this brings me to something that i've always wanted to do - i've always wanted to list all of the fiber shops that i could remember being - disregarding chain/"craft" stores. i can already think of one that i absolutely can't remember the name of and i don't know if google will help me find the names of all of them.
1. Nancy's Knits - Braeswood, in Houston. She stayed open late so Julia and I could poke around; I bought my first Kureyon. It reminds me of a trip away from reality as profound as the Spice Shop in *The Mistress of Spices* (author - Chitra Banerjee Divakaruni - the film is poo compared to the movie, not to discount the efforts of those involved in the production thereof - I digress. CBD is a professor at U of H, Nancy's in Houston - see, it's all related!) It's in an older strip center, on the bayou. No sign. Dark towers of bagged-up yarn loom in the upper reaches of the dim commercial ceiling. If one backs into a wire shelf, it will move, and there will be a Newtonian moment with a skein (or bag) of yarn from above. It may well be exactly the right yarn for the moment, or it could be totally impractical.
I went to Nancy's at odd-regular intervals and she spotted me a dollar on some yarn (probably Kureyon) when I came in after kung fu one day (still in uniform and a bit sweaty - many pearl clutching types would be horrified, Nancy just said hi). I didn't pay her back for a year, but I sure did pay her back.
2. before Nancy's, there was a shop right on the edge of Lewisville and Corinth, on my way home from work. There was construction in the area, and it wasn't easy to get to. I bought two yarns there, but I can only remember one of them - a lime green tweed, real wool with a dull finish. It was rougher than anything else I'd ever felt - being accustomed to the insipid slipperiness of certain big name craft store synthetic yarns of the soft or "so smooth" variety as I was, I fell kind of in love. I got something else too, but can not for the life of me remember what. It was hand dyed...
3. Eventually Julia took me to Yarns 2 Ewe. I have had pleasant moments there, bought plenty of pretty yarns there. The lace shelf next to the ball winding area always lures me in for closer conversation. I've only used one yarn that I've gotten off the lace shelves.
4. Then I moved to southern California. I spent most of my time in Carlsbad and Encinitas, the latter of which hosts two good yarn shops (one I adore with all my heart and wish I'd been a knitter when I lived there, but got amazing mileage from - snicker - literally) and the best bead/crystal shop EVER. EVER. Okay, so first, was Black Sheep. I think I would really like that shop now, but at the time, I was a little meh. There were lots of fancies type yarn, and I had fun with a couple of silly things that I got there, but I don't really remember what they were. Unsettling yarn displays involving wicker baskets (agh, the snagging!) But a hearty display of Manos worsted kept me in thrall. There were many yarns here that I considered buying. Nice ladies.
--Here I must end my post. I am ever so tantalizingly close to finding out what it is that the diz does, after which I will be off to see the Wonderful Wizard of Oz, because of the wonderful things he does. Oh my. But I'll pick up with Common Threads tomorrow. Because actually, Common Threads came first, and always will, in my heart.
Saturday, February 19, 2011
spin and suds
and i'm not talking about laundry. i am howver, typing one-handed (maddening) with some twisted up shetland in my right hand, attached to my sweet new little golding spindle.
she's already got a name, and as the goldings call her, she is a real little sweetheart. after swanging around on my big old ursula (my ashford student spindle, at a fighting weight of over 2 and a half ounces, my little faye valentine is as a bumblebee next to a b-52. faye is quick and i sure need to speed up my draw/draft. i have found that yesterday and today, i was able to spin, with diligent attention, some fairly even singles on some shetland i'd brought back from a visit to alaska. playing with a little pouf of it a couple of weeks ago compelled me to order some more shetland.
i combed through etsy listings, as i'm currently lacking a local source (that i know) of shetland. i've gotten merino and BFL from LYS but it seems that finding more variety is going to necessitate trips more northerly in the state or ordering online.
i chose the sheep's company for some beautiful, naturally colored shetland wool - which i say, scared of using the terminology, but i think it might be top? roving? the fibers seem to be going more-or-less the same way, but it doesn't seem nearly as processed as the big commercial crazy dyed merino i've spun and most spinners have at least met. it's not even as "commercial" feeling as the pagewood farms BFL i've spun (8 oz in two different colors). i would expect that the texture difference between the different types of wool would probably also contribute to some of the feeling (although that merino felt like fiber that had been processed within an inch of its life - i know this feeling from my own hair after it has been abused). it's a little oily, but not really greasy and it has a faint oily/sheepy smell.
i am trying to be aware and present and to pay attention while i am spinning, slowing myself to avoid overspinning - as long as it doesn't get too overspun, this shetland really does feel pretty nice. the yarn does have some hairs sticking out and some potential itch factor, but it's not unpleasant, and it doesn't have the dish scrubber feeling of some wool yarns. i am interested in swatching it to see how the swatch would feel. ultimately, i'll be using this in a shawl, i think, on bigger needles than the yarn would call for, either in a lacy stitch or plain; think either an evelyn clark type pattern or something plain like citron, lavalette, etc. i may also look up shetland patterns and styles, maybe that would be appropriate. from my imagination now (this is not even an educated opinion) i feel like clark's patterns are a little shetland-y. or maybe the lace pattern from traveling woman? or springtime bandit (although i've made three or four of that last and don't know how soon i need to make another.)
ha. also i am drinking beer although it's hard with a spindle in hand. mighty arrow pale ale from new belgium. a comment was made earlier, to the effect of, "pale ale? pale ale? i wouldn't drink pale ale with someone else's mouth!" oh but my friend, you would if you were me. i like the cuttingness, the sharpness, the lightness and the briskness. it would be a good beer to drink in a friend's back yard in the springtime, throwing the ball for a dog. i am in no way influenced to write the above just because there's a dog on the label, or anything.
cheers.
she's already got a name, and as the goldings call her, she is a real little sweetheart. after swanging around on my big old ursula (my ashford student spindle, at a fighting weight of over 2 and a half ounces, my little faye valentine is as a bumblebee next to a b-52. faye is quick and i sure need to speed up my draw/draft. i have found that yesterday and today, i was able to spin, with diligent attention, some fairly even singles on some shetland i'd brought back from a visit to alaska. playing with a little pouf of it a couple of weeks ago compelled me to order some more shetland.
i combed through etsy listings, as i'm currently lacking a local source (that i know) of shetland. i've gotten merino and BFL from LYS but it seems that finding more variety is going to necessitate trips more northerly in the state or ordering online.
i chose the sheep's company for some beautiful, naturally colored shetland wool - which i say, scared of using the terminology, but i think it might be top? roving? the fibers seem to be going more-or-less the same way, but it doesn't seem nearly as processed as the big commercial crazy dyed merino i've spun and most spinners have at least met. it's not even as "commercial" feeling as the pagewood farms BFL i've spun (8 oz in two different colors). i would expect that the texture difference between the different types of wool would probably also contribute to some of the feeling (although that merino felt like fiber that had been processed within an inch of its life - i know this feeling from my own hair after it has been abused). it's a little oily, but not really greasy and it has a faint oily/sheepy smell.
i am trying to be aware and present and to pay attention while i am spinning, slowing myself to avoid overspinning - as long as it doesn't get too overspun, this shetland really does feel pretty nice. the yarn does have some hairs sticking out and some potential itch factor, but it's not unpleasant, and it doesn't have the dish scrubber feeling of some wool yarns. i am interested in swatching it to see how the swatch would feel. ultimately, i'll be using this in a shawl, i think, on bigger needles than the yarn would call for, either in a lacy stitch or plain; think either an evelyn clark type pattern or something plain like citron, lavalette, etc. i may also look up shetland patterns and styles, maybe that would be appropriate. from my imagination now (this is not even an educated opinion) i feel like clark's patterns are a little shetland-y. or maybe the lace pattern from traveling woman? or springtime bandit (although i've made three or four of that last and don't know how soon i need to make another.)
ha. also i am drinking beer although it's hard with a spindle in hand. mighty arrow pale ale from new belgium. a comment was made earlier, to the effect of, "pale ale? pale ale? i wouldn't drink pale ale with someone else's mouth!" oh but my friend, you would if you were me. i like the cuttingness, the sharpness, the lightness and the briskness. it would be a good beer to drink in a friend's back yard in the springtime, throwing the ball for a dog. i am in no way influenced to write the above just because there's a dog on the label, or anything.
cheers.
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